Our hero Colin is bitten by a Zombie; he dies and returns from the dead. We follow him as he wanders through suburbia during the throes of a cadaverous apocalypse.

If you dont know yet, then here’s your chance. If you have heard about it believe it, becuase it’s true. I always love these “break through” narratives. Everytime we all agree that in order to make a movie you need money and blah blah you end up reading about some film maker with nothing to loose (literally) and a couple of friends making an obscure but original film. The film maker generally walks away from some prominent festival (this time it’s Cannes) as a hero! “….And we all cheered when the titles came up!!…..”

Colin was made with $70, that’s the official press number, and according to the director the film has about 100 people in all of whom worked for free. They (the extras)also got to bring their own weapons to “work”.

What thrilled me is the use of social networks director Marc Price put into action and how amazingly they helped him make a film. From getting make-up for free (the same make-up that was used in Wolverine) to extras and wardrobe.

Le-Super Cool.

Although I havnt seen anything on the film the story of making the film stays inspiring and keeps my mouth shut every time I want to mutter the word “impossible”. At the end of the day nothing is “impossible” we only make it so.

The cast was made up of Price’s friends and young actors who agreed to do the film for free. Makeup artists were “hired” via postings on the Internet, to which they replied quickly, hearing they would be given the permission to use the images for their portfolio in exchange of a salary. All “actors” were free to bring their own weapons on the set, the most expensive of which was, according to the 30-year-old director, a crowbar. In between takes, the entire crew would get treats such as “Tesco Value tea and coffee.”

“The main actor, Alastair Kirton, is a friend of mine. We’d made a short together before and then we worked on Colin. I then got friends to come along and play both zombies and humans. A lot of them doubled up and end up getting killed as both zombies and humans. We ended up with over 100 people in the film.” Price says for the Mail. Once production was over (after 18 months of shooting with a camcorder in Swansea and London), sales agent Helen Grace from Left Films approached Price and suggested he should send the film to Cannes.

“Colin” opened the other day at the film festival, and critics are already warmly singing its praise. As a matter of fact, the film fared so well that two Japanese distributors have already started a bid for distribution rights, a perspective that pleases Price to the extreme. Should everything go well, then perhaps the director’s next project would be much more expensive, somewhere in the range of a hundred pounds, as he jokes for the British publication.

“We seem to have sorted something out for Japan, which means we’ll get to do a Japanese dubbed version. I’d love to have a UK or US distribution deal. I just want people to see it. It’s not really about money. We didn’t set out to try and make our fortune with our first film. I don’t think that really happens too often. We just wanted to make a film that we hoped people would want to see, and we hope it will get into a position where we can make another film with more of a budget.” Price explains.

Excerpt from Softpedia